Stationhand
An AI voice link
As the song ends, its vocals step out and an AI presenter back-announces it, says what's coming up and gives the time – while the next song comes in underneath.
Hear it
What a Stationhand station sounds like
Real songs from a station's library, played by Stationhand's own playout engine – the same mixing, AI voices and sound processing that go out on air, captured straight from the engine. Press play, or jump to the moment that interests you.
AI voices between the songs
News and weather, two voices
An AI voice reads the news between the songs, then hands over to a second voice for the weather – the way a clock with two AI voices sounds. (The bulletin is an example written for this demo.)
Beat-matched mixes
Basement Jaxx into Joel Corry
Eight bars on the beat, starting on a new phrase – with a bass swap during the mix, so the two kick drums never fight.
- 8 bars (32 beats)
- 15.3 s together
- tempos 0.3% apart
- keys in harmony
- bass swap
Avicii into Ultra Naté
Two club mixes blended over a full phrase, tempos matched without changing either song's key.
- 8 bars (32 beats)
- 15.5 s together
- tempos 0.8% apart
- keys in harmony
- bass swap
Haddaway into Madonna
A modern remix into a 1998 classic – Madonna's tempo is matched for the mix, then eases back to its own.
- 8 bars (32 beats)
- 15.2 s together
- tempos 1.3% apart
- keys in harmony
- bass swap
Spiller into Snap!
A shorter four-bar mix – Stationhand fits each blend into the clear room between the vocals – still landing on the phrase.
- 4 bars (16 beats)
- 7.8 s together
- tempos 1.0% apart
- keys in harmony
- bass swap
AI voicesecond AI voicethe two songs mixing
We picked the songs; Stationhand planned each mix on its own – where it starts, how long it lasts, the bass swap – exactly as it would on air. Recorded with the station's "Loud" sound setting. Songs remain the property of their owners and are used here briefly, for demonstration.